Mar 11

Savage AGM

Hello folks!

Yes, it’s that time of year again, time to select a new chairman for the Leeds Savage Club! Now, don’t be shy. I know some of you are itching to take up the mantle, bang the gavel and put some of your own ideas for the club into action. There is awesome potential for social events, future publications and some brilliant meetings throughout the year. If you fancy giving it a go, please come to the meeting at 7.00pm on Wednesday 20th March at The Pack Horse Inn, just off Briggate.

Even if you don’t feel quite ready to play a part in the club, please feel free to come along. As usual there will be plenty of fun and banter, a few beers, and what’s more you get to say your piece on the direction the club will take in the coming year.

Come along and get involved!

Jan 09

Feeling Wordy?

Bloated.
Nauseous.
Portly.
Bilious.
Queasy.
All words that would give you a pretty good Scrabble score if used in the right way, and also words that you might have used to describe your own personal gastric situation over the last couple of weeks.
But think about it. If you did use such phrases, rather than simply saying ‘ill’ or ‘sick’, then it shows you have more than just a passing interest in the English language. If this is the case then perhaps you’ve been tempted to include other colourful phrases in letters to your bank manager, local rail operator or the high street restaurant that gave you a violent case of food poisoning.
Nothing is more enjoyable than penning a really vitriolic letter or email to someone we feel has wronged us. It is cathartic, a balm for the soul. By putting it on paper we ‘get it out’, release a trapped frustration and allow ourselves to move on.
This is all very well and good, but must we wait until we feel irked before we put pen to paper, digit to key?
I believe not.
It might come as a surprise to you to learn that the act of writing anything can be uplifting, anything at all!
If you feel good about something, write about it. Put into words those feelings. Allowing the words, the descriptions, to condense on the page can somehow make them more real, more tangible.
‘But how do I go about this gargantuan task??’ I hear you bleat.
BY JOINING A WRITING CLUB!!! I reply in the voice of Zeus.
Writing clubs are an excellent place to get started with your writing, a platform to share ideas, air your work and voice your concerns. A friendly ear is sometimes all you need to help you choose the right word or phrase, and give you the confidence to turn a letter into a story, and perhaps even a story into a book!
Now comes the tricky problem of choosing the right writing club for you.

Ask yourself: Do I want to be bored to tears, lambasted by dullards and bogged down with stodgy grey Little England bureaucracy?

If the answer is ‘YES’ then go join any number of writing clubs that dot our fair land.

If the answer is ‘NO’ then join The Leeds Savage Club with all haste!!!!

The Leeds Savage Club offers you the luxury surroundings of a plushly upholstered hostelry combined with a wide range of sparkling refreshments to tantalise the taste buds and invigorate the mind (i.e. a pub). We are also broad minded, inclusive, unflappable and amiable. If you want to simply pop along and listen to stories, then that’s fine with us. If you want to deliver us one-thousand word chunks of your grand opus, that’s also fine with us. If you wish to simply read out your disgruntled letters to your bank manager, then hey, we’re up for it.

Our next meeting is…. TONIGHT!!! That’s Wednesday the 9th January, at The Pack Horse Pub, just off Briggate in Leeds city centre. We usually shuffle in between seven and seven thirty, so please join us!

If you cannot make it tonight, then we meet every two weeks, same time, same place.

Happy New Year, and I hope yo see you soon!

Nov 08

ReadWave presents “A Conversation Overheard”

Greg has spotted this excellent opportunity from ReadWave!

It sounds right up our street – pop along and take part!

 

We’ve all overheard fascinating and sometimes odd conversations between strangers, when they think nobody is listening. We want you to write a short story in less than 500 words about “a conversation overheard”, whether real or fictional. A special shout out goes to the story with the most innovative setting.

To enter simply upload your story onto ReadWave and include the hashtag #overheard in the title. The deadline for entries is 30th November.

The winning story will be reviewed by our star editor Anna Jean-Hughes. Anna has almost 10 years experience working in the publishing industry. Currently an assistant editor at a major international publishing house, Anna has also worked with leading literary agencies Conville & Walsh and Curtis Brown.

We’ll be posting your entries to Facebook so please make sure to like our Facebook page.

Jun 26

Savage Horror!

 

Horror Radio Play Competition
by our horror correspondent, Peter Etherington.

 

The London Horror Festival takes place this Halloween for three weeks, and they’re looking for radio dramas to perform on their opening night.

 

They want short radio dramas that chill your blood, scare you witless or send a shiver down your spine. The three best submissions will be performed by professional actors from the Wireless Theatre Company, and then made available for download from wirelesstheatrecompany.co.uk, which receives over 3 million hits per year. A good way to get noticed if ever we heard one!

 

A winner will be selected from the short-list to receive the first André de Lorde Award for Horror Playwriting.

 

Radio plays should be 15 minutes long (about 10 pages of script). You should avoid complicated sound effects and only have ones that can be done live. It costs £5 to enter and the deadline is 15th August 2012.

 

 

Follow @LndnHorrorFest on Twitter.

Jun 12

A Time To Write, by G. H. MacDonald

 

I get a bit obsessed with my own procrastination.  I’ll do almost anything rather than write, particularly when it’s later in the day.  Life presents so many NECESSARY things that need doing that sometimes it’s easy to go for weeks without writing anything at all.  Unfortunately the bitter counterweight to all this lovely procrastination is guilt.  I’ve got a little Stephen King shaped angel on my shoulder, tapping out big door-stop books, telling me that real writers write every day.

One of the best ways to procrastinate that I’ve found is to research the reasons and potential cures for procrastination.  This way you can easily convince yourself that you are doing valuable work, when in reality all you are doing is avoiding writing.  That may be what you are doing right now…

The biggest problem I have is finding time to write.  It’s not that I’m any busier than any other person out there, in fact given I don’t have kids I probably have a vast amount of free time compared to some.  It’s not self-discipline either – I can force myself to do things if I feel the need.  The problem is finding the time to write when your brain is at its most conducive, when the creative sap is flowing.  I read with envy about the lifestyles of famous writers.  Many of them had their routines of writing in the mornings, then answering letters in the afternoon (or getting drunk and going shark fishing).  As a writer who also has to work for a living the hours for productive writing shrink dramatically.

Through trial and error I’ve found that the only time when I can effectively and consistently write is in the early morning.  When I write in the evening I’m reeling from a day at work.  My emotional and physical energy is low and I feel like I’m wearing a cloak of dirty static.  Everything buzzes with the adrenaline and stress from the day.  That’s fine for logic work: editing and planning, but actually spooling out fresh organic prose?  Forget it.  I sometimes find myself writing in bullet points.  I’ve found the only thing I’m really good for in the evenings is staggering around Tescos and drooling on the sofa whilst watching episodes of The Sopranos.

There are some bloggers out there that paint a glorious picture of writing early in the morning.  They cite Julia Cameron’s The Artists’ Way as their bible.    Cut through all the rehab exercises and at the core of the book Cameron recommends getting up first thing in the morning and writing three pages stream of conscious longhand text.  It clears the pool ready for swimming in it.  This really works, in fact it changed the way I approach writing and it got me out of a cycle of guilt and self inflicted pressure that was sucking all the fun out of the thing that I love. Unfortunately once I’ve written three pages of cleansing junk the rest of the day has caught up with me and it’s time to go to work.

There are other books out there that bark at you to stop whinging and just get on with it, to just be professional.  “The War of Art” by Stephen Pressfield is a great kick in the seat of the pants for any procrastinating writer.  As with most of these books though it has one central idea that it spins out across an entire book and costs a tenner.

Different things work for different people, but in the end it all comes down to sitting at your desk and doing some work.  It doesn’t matter if it’s ten at night or five in the morning, if you’re not writing then by definition you’re not a writer.

So anyway I wrestled with this for years before finding my own answer: get up earlier.

It’s not been easy.  There is a yawning terror to getting out of bed an hour before you normally would.  You wonder if you will survive the day, if the hot ants of sleep deprivation will go marching all over your body in an afternoon meeting.  A bit of coffee works wonders and it does help if the mornings are light.

The nice thing about early mornings is that my brain hasn’t settled yet into it’s normal logical task mode; everything feels a little more soupy and dream-like.  There are surprising nuggets of ideas in the thick half-waking loam that spill from your tapping fingers.  Sometimes it can be quite magical.

I’m currently getting up at twenty past five in the morning on work days, more or less consistently.  The idea is that I trick myself into going and sitting down at the computer before my body or brain register what I’m doing.  I’ve bought a kettle for the study and I seem to wake up about half way through my designated writing hour, slurping a black coffee, by which time I’ve already written about three to five hundred words.  They may not be the greatest words in the world but at the end of the hour I can usually walk away from a bleeding chunk of fresh text.  That’s a good way to start the day, a day free of guilt and nagging self imposed pressure.

Apart from the pressure to do more exercise.  And to get that presentation written at work.  And to get a birthday present for my brother-in-law.  And to cut the lawn…

www.ghmacdonald.co.uk

This is the first in a series of occasional pieces by The Savage Club members on fitting writing into an already full schedule.

May 21

Plans for a 2012 Publication.

 

There have long been plans among the Savages to publish a book of our writings and art, so we have decided to hold a get together to discuss the subject on Wednesday 30th May 2012.

We meet at 7pm at The Grove Inn, Leeds (click here for a link to the pub website and directions) and we will chat about our aims for an hour, before cracking on with the usual writers meeting.

We are not at our usual haunt of The Pack Horse because they are holding a private party there on that date, so we are upping sticks to another pub that is renowned for fine ale and scruffy bohemians such as ourselves!

If you are interested in staying for the writers meeting, the subject of this month’s meeting is Stories to be Read by Others – we will be writing pieces that other members of the group will read out. This is a perfect place to get your first story heard in anonymity – simply throw your story in amongst the others and it will be read out loud that night!

Believe me, it is great to hear your words come alive amongst a group of like minded folk, so bring your poems, stories or scripts along, sit back with a pint and enjoy!

 

I really look forward to seeing you there, both the old familiars and any new faces that feel like popping along.

Matt

May 04

Savage Scripts

Those who were present at the writers meeting last Wednesday night were treated to a series of quite extraordinary performances.
It was the Savage Club Script Night, and the members were asked to submit scripts of 1000 words to be performed on the night by the Savages themselves. There was a good turn out on the night that was happily bolstered by a visit from a few of our wonderful artists, and the atmosphere felt slightly more electric than usual, more excited.
The long table was littered with sheaves of paper and pint pots, and in a jumble of organised chaos we decided who would read what and which parts we preferred to play. I had presumed we would need half an hour to try the scripts out, but no. The Savages were keener than the gee-gees at this year’s Grand National! We just steamed in.
What followed was nothing short of brilliant. The dazzling writing was only matched by the quality of the reading as script after script was performed with a skill that took me by surprise. Each performance was compelling and convincing, and the readers squeezed every last nuance from scripts they had only seen for the first time moments earlier.
In those few short hours there was fear, laughter, sadness, excitement and even a bit of sex! Aside from it being a brilliant display of our small group’s great talent, it was a first class entertainment.
It also gave me food for thought.
I realised that as a writer it is very difficult, perhaps even impossible, to be objective about our own writing. Our view can be skewed by the knowledge of the effort that has gone into creating a piece, perhaps causing us to be rather precious about our work, or sometimes, because we know how a piece was constructed – how it ticks, so to speak – we don’t really recognise the piece’s true worth. As such, when we read our own work out in the meetings we are doing so with that weight of knowledge on our shoulders, presenting something that we might perceive as being too fragile, too precious, not good enough, perhaps even amateurish.
Last Wednesday’s meeting blew all these thoughts out of the water.
The unbiased delivery of the scripts by impartial readers gave the work an incredible freshness and vitality, allowing us to be objective about our own writing at last.
As such, I can honestly say that every single script was first rate, of a quality I would gladly pay to see on a stage. In my opinion, these performances allowed us to recognise our writing’s true qualities and future potential, while also shedding new light on the work of our fellow members, offering a fresh perspective that a writer might not be able put into his or her own work by reading it out themselves.
This isn’t the last we’ll see of Savage Scripts on a Wednesday night – I hope they will become a regular feature on our writing calendar. Well done everyone!

Apr 17

The first Savage Club HOOT!

On the 17th of March around 18 Savages descended on the bar of The Pack Horse in Leeds to celebrate the first ever Savage Club HOOT! The Hoot is an irregular meeting of both facets of the Savage Club (artists and writers) with the aim of  sharing knowledge about local arts events, competitions, performances and exhibitions. It’s also a great excuse for a cracking bunch of like minded individuals to get together with the aim of guzzling curry and quaffing beer!
We left the pub and strolled across town in the unusually balmy Spring evening air, meandering over roads without looking to left or right, taking wrong turns and following people who didn’t know where they were going!
How we got to the Aagrah restaurant without losing anyone I’ll never know, but there was a warm welcome and a huge table awaiting us. Drinks orders were taken between stories and banter, food orders were delivered between hilariously phallic foliage, and damn fine the food was too. During dinner we passed around pictures for the next writer’s meet, photographs taken by Daniel Meadows during the 1970′s showing ordinary folk in Northern towns. The resulting stories were interesting to say the least!
I can’t say how much constructive Savage ‘networking’ was accomplished during the HOOT, but I’ve come to the conclusion that it doesn’t really matter. It was a fantastic evening with some really lovely people, and I’m already looking forward to the next one.

Keep your peepers peeled for notifications for the next HOOT, on this website, on Facebook and on Twitter!

Mar 24

Sozzled Sketch, computer game fun!

Last month we had a very good turn out at our monthly drawing session, the Sozzled Sketch. The theme was computer/video games which included us drawing Resident Evil in which Sonic had got lost in, what Mario would look like if he ate a Power Up of your choosing, and creating pixel characters of ourselves!

We played some great games including picking random words out of tubs to create interesting titles of games…like Rockin’ Sniper Cronicles….which created some very interest game covers!  To see more pics from the night and past events, please go to our FB page http://www.facebook.com/LeedsSavagedrawings

If you like what you see, come along to our next event on the 10th April, theme to be confirmed :)

More details can be found under the Sozzled Sketch tab, or you can join or Facebook page

 

Jan 01

Savages Chill the Judges in Ghost Story Competition

In the weeks leading up to December, the Harrogate Advertiser and the Friends of Harrogate Library (FOHL) ran a

Happy to be selected by FOHL

ghost story competition. The brief was to write a ghostly tale, preferably set in Yorkshire, with an 800 word limit.

Two members of the Savages writers’ group submitted entries, and both made it into the top ten – Greg Webster with ‘Undesirable Patron‘ and Peter Etherington with ‘Cold as Ice‘. The competition was judged by Harrogate authors Bernie Crosthwaite and Ruth Elwin Harris, FOHL’s Gill Callaghan and the Advertiser‘s chief reporter, Vicky Carr.

Both writers were invited to the Friends’ Christmas social on Thursday 8th December in Harrogate Library, where all ten shortlisted stories were read out to an audience. The variety of submissions was fantastic, ranging from a Roman soldier perpetually looking for his olive grove, to ghostly children returning to help loved ones. Some were funny, some were genuinely chilling, and all were read out superbly by the library staff.

Peter’s ‘Cold as Ice’ was printed in the 9th December edition of the Advertiser as one of the top three stories.

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